by María Zozaya-Montes (dir.)
Focusing on leisure spaces, this second volume traces the major urban and social transformations in Évora since the advent of political liberalism. It explores advancements in decoration and sanitation, as well as changes resulting from the confiscation of church property and the adoption of new technologies. The narrative primarily centres on public squares and gardens, as well as the vibrant theatre scene. It uncovers the evolution from informal performances to the construction of the Garcia de Resende Theatre, the influence of Spanish theatrical repertoires and the systems of social representation used to project status. Despite these transformations, the city continued to be viewed through the lens of its illustrious past from a historicist perspective, with its identity often anchored in distant historical moments. The city’s profile was shaped by the symbolic demands of political liberalism, which coincided with the emergence of nation-states in Europe and Portugal. New symbols sought by the emerging bourgeoisie were incorporated, emphasising iconic historical events — exemplified by the Roman temple — and celebrating heroes such as Garcia de Resende and Giraldo Sem Pavor. This documentary delves into the intricate social and urban dynamics of Évora’s 19^(th)-century leisure scene.
Link: https://www.youtube.com/watch?v=m3De8uzh90w
Read more: https://sociabilidad.hypotheses.org/6604