Discount on book Working in Greece and Turkeye

Discount on book Working in Greece and Turkeye

Dear Colleagues, Dear Friends,

Hope this message finds you well. 

The book that I have co-edited with M. Erdem Kabadayi, Working in Greece and Turkey. A comparative labour history from Empires to nation-states, 1840-1940  (Series: International Studies in Social History, Vol. 33, New York/Oxford: Berghahn, 2020) has a 35% discount on the occasion of the 2nd International Conference "From Tobacco Workers' Movements to Contemporary Social Movements" (Kavala, Greece, 18-19 October 2025).

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CfP: Scattered, Tracked, Connected: New Approaches to Dispersed Heritage

CfP: Scattered, Tracked, Connected: New Approaches to Dispersed Heritage

The National Museum of Lithuania invites proposals for the international conference Scattered, Tracked, Connected: New Approaches to Dispersed Heritage, to be held in Vilnius, 29–30 April 2026.

How do we work with heritage that is no longer whole, no longer here – or perhaps never truly was? The conference seeks to explore the fragmented, displaced, or deliberately dispersed nature of cultural heritage, and how museums and memory institutions reassemble meaning through research, digital tools, and collaboration. 

CfP: The British General Strike of 1926: New Directions of Research

CfP: The British General Strike of 1926: New Directions of Research

Labour & Society Research Group (LSRG)
7-8 May 2026
Newcastle University
Armstrong Building, Newcastle upon Tyne, NE1 7RU

The British General Strike of 1926: New Directions of Research

To commemorate the centenary of the British General Strike and miners lock-out, Newcastle University’s Labour & Society Research Group (LSRG) are organising a conference that revisits the historical experience of 1926 through the lens of new scholarship that is concerned with the global, spatial and maritime turns in labour history.

CfP: Agents of change: Folk cultures in the long 20th century

Agents of change: Folk cultures in the long 20th century

Folk art and cultures have often been seen as passive, unchanging, and frozen in a preindustrial era, linked with ideas such as nostalgia, decoration, and kitsch. From this point of view, grounded in late 19th and early 20th-century nationalist and modernist discourses, folk art seems to be a relic of the past that cannot respond to the challenges of modern societies, let alone contribute to social change.

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