The Mostra CineTrabalho / Brazilian International Labour Film Festival (BILFF) is a university extension activity of the UNESP – São Paulo State University. The event merges the cultural characteristics of a film festival with the academic discipline of social sciences to bring together knowledge and a critical view of the labour world. The BILFF aims to honour and support the filmmakers whose productions regard working conditions and to provide a forum for appreciative and informed discussion of a wide range of labour issues.

People's History Museum, Manchester

As Britain’s society changed, techniques in photography developed, enabling workers to capture their own lives for the first time. In our exciting new exhibition Grafters, visitors will witness how the working classes went from objects in photos, to heroic representations of industry and finally to photographers themselves.

By the 21st century African countries have become more integral part of global processes ranging from trade to regionalization, security to sports diplomacy. 'Old' and emerging actors in the African continent have offered increased engagements in all sectors of development. Although the 'Africa Rising' mantra has been echoed all over the world, sceptical voices about newly formed (but already known) dependencies are also heard.

Exhibition: Iran’s Women’s Movement: On the Archive of Sadiqe Dowlatabadi
FEBRUARY 7TH TIL MARCH 8TH 2016
An exhibition on the emergence of the women’s movement in Iran

OPENING: Sunday February 7th, 17:00
Preceded by a lecture by Azadeh Fatehrad at 16:00, on the exhibition and her research (at the Royal College of Art, London) into the Iranian women’s movement. Lecture in English. Please make a reservation if you wish to attend the lecture: reserveren@framerframed.nl

For your consideration: a request to sign a petition.

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Open the Archives of the Yugoslavia Tribunal!

Sign the Petition!

The International Criminal Tribunal for the former Yugoslavia holds a repository of over ten million unique items of immense value. It is of utmost importance that its preservation and accessibility are guaranteed.

The visibility of power has always been indispensible for dictatorships - and still is. The practices of such visualizations became particularly relevant in the twentieth century, the age of mass-media imagery. In addition to moving images, it was photography that played a pivotal role, becoming not only a mass medium, but also an everyday practice for the individual photographic actor operating below the level of dominant media representations - a grassroots area that has received much less attention from historians.

De onderzoeksgroep Moderniteit en Samenleving 1800-2000 (MoSa) is op zoek naar een doctoraatsbursaal (m/v) voor een project over de geschiedenis van prostitutie in België.
MoSa bestudeert de politieke en sociale veranderingsprocessen die met de moderniteit worden geassocieerd. MoSa onderzoekt de uiteenlopende wijzen waarop mensen en samenlevingen (in Belgisch, Europees en mondiaal perspectief) veranderingen ervaren en sturen.

1. Februar 2016, 19.00 Uhr: Buchvernissage

Moisés Prieto: Zwischen Apologie und Ablehnung.
Schweizer Spanien-Wahrnehmung vom späten Franco-Regime bis zur Demokratisierung (1969–1982)
Zürcher Beiträge zur Geschichtswissenschaft, Band 6, 2015. 490 S.

Du 17 février 2016 au 29 mai 2016

Hôtel national des Invalides
75007 Paris

The fall of the Berlin Wall in 1989 spelled the end of communism in East-Central Europe, Eastern Europe, and the former Soviet Union. Like the communist experience itself, postcommunism is seen as a distinct phenomenon, with countries facing a triple transition: political, economic, and societal. So far, the notion of postcommunism has only been used for the Eurasian countries. As a consequence, it is unclear whether postcommunism is a regional phenomenon or truly captures the unique legacies of Leninist regimes worldwide.